I've had a couple ebows over the years. The fading in long sustain is cool, but to make it not sound kinda cheesy you really have to practice with it. But they are a lot of fun and definitely worth having if you record at home and like to build up walls of moving chords.
But, I have never used it as a primary riff writing tool. Though, your results may vary.
Do you know what the difference between the sound stone and the ebow is?
For years I wanted to mod out a not super great telecaster I had. I wanted to install an ebow type sustainer for all the strings into the guitar.
But it already existed. Some company at the time (maybe still) made pickups that had a sustainer setting that was supposed to be like having an ebow vibrating all your strings at once. But, at the time the technology didn't seem there. I think you had to initiate the string vibration through at least "hammer-on" strength fingering of chords. Also, it was expensive and required some pretty crazy modifications.
I think I'll look into whether any better options have come along. I'll have to check out that soundstone as well.
ckyvick wrote:
Found out about these guys recently and figured I'd try one out for the price. I've never had an ebow but always wanted something like that for the crazy sounds it gets. Looks like something fun to mess around with at the very least.
https://soundstone.co/EDIT: So I went and looked and the pick-up type sustainers are still around. From the look of their websites it seems the technology hasn't advanced much at all.
Someone smarter than me: Couldn't we just copy the EM field that ebows create, but, like, REALLY strong? (and have awesomely smooth swelling of chords)? Or put a EM driver under each string...?